David Husom Photographer
Two More Reviews of the Where We Live Exhibit at the Getty Museum  
Sunday, January 28, 2007, 04:23 PM
University of California Irvine campus newspaper The New University has a well researched and nicely done article by Zachary Gale on the Getty Museum's Where We Live: Photographs of America from the Berman Collection in their January 8th edition. After reading Peter Plagens, former Newsweek art critic, bemoan the current state of art coverage in this months Art in America I realized that he had overlooked college newspapers. In my experience many do have good visual art coverage. But Plagens is correct, not many papers will have positions for those student critics when they graduate. Too bad.

I have not been suprised by the number of small LA area papers that have articles about the Where We Live exhibit. There were at least 40 members of the print media at the opening for the show. Nor have I been surprised by articles being reprinted over and over again in other papers in the region. But I have to admit that finding the Robert Pincus San Diego Union article reprinted in Paramus NJ really threw me. (Pincus btw was listed by Plagens as one of the better newspaper art critics in the country). But then I realized that Paramus was next to Paterson, where George Tice had been making images long before most of us in show dipped our fingers in Dektol. It is nice to see a local paper give a bit of support and credit to a local photographer. So here it is again, along with the New University article:

www.paramuspost.com

www.newuniversity.org


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Saul Leiter, overlooked early master of color photography? 
Thursday, January 25, 2007, 03:16 PM
When I was a young art student in the early 70's I had a painting class where a couple of the students had a running argument with the teacher that "what if great artists are being ignored?" After all isn't the history of art full of artists who were not recognized in their own time? The professor would respond that it was just not possible anymore. "Everything changed during WWII with the center of the art world moving from Paris to New York" he would say.

The painting teacher was a first generation New York School Abstract Expressionists named Raymond Hendler, who twenty years earlier was a founding member of the Club. The Club was a loose-knit group of abstract artists that included William and Elaine de Kooning, Robert Motherwell and on occasion Jackson Pollock. It also included lesser known painters like Hendler, Herman Cherry and Peter Busa. In addition it contained a photographer: Saul Leiter. In fact, the Club gave Leiter his first exhibition in their meeting room.

What makes Leiter interesting is that his work drew heavily on the Abstract Expressionists. But unlike the painters who believed that abstraction grew from within the artist, Leiter found it on the streets of New York. His work therefore is quite different than photographer Aaron Siskind, who's photographs often looked like abstract painting. Leiter instead drew from Cartier-Bresson, and one would guess the Photo League in New York. His work clearly has some 35mm street photography influences, even though it predates Robert Frank.

The work of Leiter has been featured at the Millwaukee Art Museum this winter and I was quite impressed not only with the work, but also with the exhibit in general. Leiter had the misfortune of working in a medium that did not gain full acceptance in the art world until at least the mid-70's. But worse he was working in color photography, which for the most part was ignored until relatively recently. The fact that his medium was 35mm slides made for even greater difficulty in exhibiting his work when he was making it.

Fortunately technology has now made printing from slides conventionally or digitally much easier. The MAM exhibit contained wonderful contemporary prints of the work. But wisely they also had the images as Leiter would have originally exhibited them: as a slide show you could sit and watch.

It is ironic that my old teacher Ray Hendler probably knew Saul Leiter. Although Leiter was not completely ignored, Edward Steichen did show his work at MOMA, he has not gotten the attention he deserved. So were the students right? Are great artists sometimes overlooked? Perhaps on occasion. But I know Hendler would argue that does not mean that the museums of the world will throw out their Picasso's and O'Keefes soon and embrace Classic Realists who think that all painting since Rembrandt is misdirected. Somehow Leiter just fell through the cracks.

I quit painting about 6 months after taking that class to devote full time to photography. But often when I am looking through the viewfinder, or at the ground glass I hear Hendler's voice "Push it further! What are you looking at here! I see you are thinking; that's good!" I hope he gave Leiter the same encouragement because his work did push the boundaries of photography that we are only now understanding over 50 years later. If you hurry you still have a few more days to see this wonderful work.


Milwaukee Art Museum Lobby. By David Husom (Cell phone photo)


See Saul Leiter at the Milwaukee Art Museum

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WSJ on Bruce Berman and Where We Live 
Wednesday, January 24, 2007, 06:49 PM
The Wall Street Journal did a very nice article on Bruce Berman and the Getty Museum exhibit Where We Live: Photographs of America from the Bruce Berman Collection. I think the article captures both the Village Roadshow offices with its amazing photo collection and Mr. Berman quite well.

Of course the article did overlook one very important detail. The Village Roadshow Pictures movie Happy Feet was nominated for an Academy Award yesterday for best animated movie.

It is a wonderful film; it is probably the best computer animated film made to date. I know I am biased here, but I have seen just about every computer animated feature since the ground breaking Pixar short Tin Toy was upscaled to Toy Story. I even remember rippling water getting a standing ovation at SIGGRAPH film festivals in the early 90's, but Happy Feet brings computer animation to a whole new level. And it is a fun flick with toe tapping music. Check it out...

Happy Feet

Wall Street Journal Feb 24th 2007

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No Point - Life on the Wisconsin side 
Thursday, December 14, 2006, 12:06 PM
John Turula, a sculptor who's work I must confess graces my front yard, back yard and the steps leading up to our front door has been doing a Web site of some of the artists that live along the Mississippi River here in Western Wisconsin. He has chosen me as his artist of the month this month.

John also ran a short lived gallery - Gallery EE, that was listed as one of the 10 best undiscovered places to view art near the Twin Cities. Alas, it is gone but his site is worth a look to get a sense of what some of us along the backwaters are doing.

http://www.nopointink.com/

By the way, he explains what No Point means on the site. It is point on the river, that is really not a point at all. Get the point?

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Another Getty Photo Show Review 
Wednesday, December 6, 2006, 11:49 AM
The blog TinyWindows has a short review of the Where We Live Getty show.

He has also picked out two books he really likes: As a lover of postcards I found his book pick of Real Photo Postcards very interesting. It is worth a good look. Also his Non Facturé: Rejected Photographs on rejected snapshots looks wonderful! I do not know who the blogger is, he remains anonymous, but he has a real understanding of the vernacular.

ltinywindows.wordpress.com/

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